Wed, 15 Sep 2021 17:28:16 +0000 en-US hourly 1 Middle Eastern Academy of Classical Music opens in Dubai Wed, 15 Sep 2021 14:10:40 +0000

The European Foundation for the Support of Culture (EUFSC) has launched a new three-week Music Academy, which will take place in Dubai. The Foundation describes the business as a first in its region and will be the largest classical music festival in the UAE.

See you this year Middle Eastern Academy of Classical Music (MECMA), students will be able to perform in masterclasses with renowned professors from all over the world, such as Rudolf Buchbinder, Dmitry Alexeev, Stella chen, Daniel Hope, Pavel Vernikov, among others.

In addition, the festival will host daily lunchtime concerts in which high-level soloists will perform with the Armenian State Symphony Orchestra and the Kaliningrad Symphony Orchestra.

EUFSC InClassica International Music Festival takes place at the same time as the Academy, and students will be able to attend many of the festival’s performances for free.

Based in Malta, EUFSC aims to support cultural activities across the world, especially classical music. So far, it has hosted a number of concerts, festivals, masterclasses and conferences in Europe, Asia and the Americas.

“It gives me great pleasure to bring such an exciting and high quality course and performance program to the Middle East, and we are especially excited to present our ambitious program here in Dubai,” said Constantine Ishkhanov, the president of the EUFSC. “This Academy represents the pinnacle of EUFSC’s educational efforts, and I am very happy to welcome such an illustrious group of professors to this event.”

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The Philadelphia Orchestra in concert on WRTI: Pablo Heras-Casado conducts Samuel Jones Flute Concerto and works by Brahms and Schubert Tue, 14 Sep 2021 09:01:17 +0000

At Sunday September 26 at 1 p.m. on WRTI 90.1, and on Monday September 27 at 7 p.m. on WRTI HD-2, it is a 2018 program which draws an arc of that of Schubert Rosamunde opening to the Symphony n ° 2 through Brahms, by means of a Samuel Jones’s World Premiere Flute Concerto, written for — and played by—Principal Flute of the Philadelphia Orchestra Jeffrey Khaner.

spanish conductor Pablo Heras-Casado directs.

The work known as Rosamunde Opening was not part of the play by Wilhelmina von Chézy. Schubert wrote it to open another room, The magic harp; but it was then incorrectly posted as the opening of Rosamunde, and has been known by that title ever since.

Susan Lewis of WRTI interviews composer Samuel Jones.

Susan Lewis of WRTI interviews composer Samuel Jones.

Samuel jones is a native of Mississippi, and in 1997 he became composer-in-residence for the Seattle Symphony, a one-year term that spanned 14 years. During this period, he wrote more than a dozen major works created by the ensemble.

His compositions have won numerous honors, including a Grammy nomination, and have been performed by many major American orchestras, including The Philadelphia Orchestra, who made his Elegy in the late 1970s.

Soloist Jeffrey Khaner

By composing his Flute ConcertoJones was deeply influenced by the unexpected death of his brother, and while he was composing the work he learned from Principal Flute of the Philadelphia Orchestra Jeffrey Khaner that he too was facing the imminent loss of a brother.

In this piece, with many connections to Philadelphia, Jones incorporated patriotic songs from the 18th to the 21st century, including the “Battle Hymn of the Republic,” “Battle Cry of Freedom,” the popular song of the Civil War, ” Tramp, Tramp, Tramp ”and the 20th century protest song“ We Shall Overcome. ”The procession culminates in Jones’s original hymn,“ The Big Bell Rings for All ”.

The opening measures of the Symphony n ° 2 by Brahms are unforgettable. They announce a symphony so different from the first: here there is light, Schubertian beneficence, even gaiety.


Listen to Jeffrey Khaner, Principal Flautist of the Philadelphia Orchestra, talk with Susan Lewis of WRTI.

During the intermission, Susan Lewis from WRTI interviews Jeffrey Khaner and composer Samuel jones, and Debra Lew Harder sits down for a conversation with Pablo Heras-Casado.


Schubert: Rosamunde Opening

Jones: Flute Concerto

Jeffrey Khaner, flute


Brahms: Symphony No.2

The Philadelphia Orchestra

Pablo Heras-Casado, conductor

Gregg Whiteside is the host of Tthe Philadelphia Orchestra in concerts, every Sunday at 1 p.m. on WRTI 90.1, online streaming on, and on our mobile app! Listen again Mondays at 7 p.m. on WRTI HD-2

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Bach Makes Us Reach for the Cookie Tin, New Classical Music Study Finds Mon, 13 Sep 2021 16:15:24 +0000

September 13, 2021, 5:15 PM | Updated: September 13, 2021, 5:21 PM

Bach makes us reach the cookie jar, new classical music study shows.

Image: Getty

Do you feel “next” toothy? It must be Bach …

A study has been published showing how classical music makes us crave chocolate cookies and other sweet treats.

No, we’re not going to crack. This musical exploration of food consumption, led by researchers at Miyagi University in Japan, has proven a connection between Bach, Beethoven, and others – and a propensity to reach for the cookie jar.

Nearly 800 attendees listened to 20 tracks from four musical genres – classical, jazz, hip-hop, and rock / metal – and after listening to each, they were asked to rate their preference for 16 specific foods.

By rating how much they wanted to eat the items after hearing the music – from “not at all” to “a lot” – it was found that classical music gave listeners something of a sweet tooth.

Read more: Chopin and Beethoven help students pass exams, classical music study reveals

Indeed, the researchers found a significant correlation between participants feeling calmer and preferring sugary foods like chocolate cookies, and listening to classical music.

Read more: Children who play musical instruments have better memory and attention span, study finds

“Restaurants and stores that primarily sell sweet foods (think ice cream parlors) might want to choose classical music,” the researchers said in their findings, which were published in the academic journal. Food quality and preference newspaper. “It seems possible that the sounds in food advertisements could be well designed based on our findings.”

The researchers also found that indulgent salty foods like burgers were the least preferred when listening to classical music, compared to other genres.

The music heard by the participants included that of Bach Air on the G string and Elgar Hello love in the classical camp, ‘Take Five’ by Dave Brubeck and ‘Walkin’ by Miles Davis for jazz, and popular hip-hop tracks ‘California Love’ by 2Pac and Dr Dre, and ‘Thrift Shop’ by Macklemore and Ryan Lewis.

Read more: That’s why fast food restaurants play classical music at night

A previous study has shown a link between Bach’s elated music and higher spending, and when it comes to food and music, fast food chains have exploited the calm association of classical music to keep out the excited crowds. to go down late at night.

So here we are. Beethoven sounds great this afternoon – could someone give us a biccy?

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Musician Peter Jonatan: Readjusting Classical Music – Lifestyle Sat, 11 Sep 2021 10:16:00 +0000

Peter Jonatan, Indonesian composer, arranger, orchestrator and educator, received his doctorate in jazz studies from the New England Conservatory of Music (NEC) late last year, making him one of the first Indonesian musicians to own such a degree in jazz music. . He also completed his graduate studies at the same institute in 2014 and currently teaches at the NEC.

In a recent conversation with Jakarta PostPeter shared that his long experience with jazz and classical music began when he was 4 years old. He had always shown interest in other genres of music, and his introduction to church pianist Priscilla Dianawati broadened his perspective beyond the genre he later mastered.

Ibu Diana, as Peter calls Priscilla, became his teacher for six years starting in 1996. It was from her that Peter learned to accompany church and choral music. He also studied at Yamaha Music School Indonesia (YMI) for five years, then at Yayasan Pendidikan Musik (YPM) for five more.

Peter says there is an abundance of talented musicians and singers in Indonesia, but many have insufficient musical education and depend only on natural talent. They also study music very late compared to children in the United States. This explains, he says, why few Indonesian musicians can survive and be successful for long.

Studied at Nanyang Technological University

Born in Jakarta on July 25, 1983, Peter graduated from high school in Jakarta in 2002. He continued his studies at Nanyang Technological University (NTU) in Singapore in 2002 and obtained his undergraduate degree in engineering. materials in 2006. The opportunity was offered to him. to continue their studies in materials engineering at the doctoral level with a full scholarship. He intended to become an engineer and, eventually, a teacher-researcher at the university.

But he was also still eager to pursue his musical dreams. He consulted and talked to his relatives, especially his parents. They all concluded that a musician was not a promising profession at all and preferred Peter to become an engineer because he had graduated from a major university.

Go to Berklee College of Music

Three years after graduating from NTU, he decided to pursue his childhood dream of becoming a musician. He chose Berklee College of Music in Boston as his next destination. He became an undergraduate student for the second time.

“Performance and composition are the two most popular programs. But at Berklee there are a lot more programs, like sound engineering. Students learn to mix and manage sound systems. Then there is therapeutic music for hospitals and sound design, ”said Peter.

During his second semester, Peter chose jazz composition as a specialty, although he had only limited knowledge of the genre. At Berklee, there are two major in composition choices: classical music and jazz.

“In jazz, we have to be creative and we have to develop what has been written. “

Move to the NEC

Peter graduated in 2011 and planned to work as a composer. Realizing that he was still totally unknown in the United States, he decided in 2012 to continue his studies at the NEC, also in Boston, as Berklee did not have a postgraduate program. The conservatory is classified 4e or 5e in the world. It is also unique because 80 percent of its students study classical music. It serves as a training ground for cellists, violinists and double bassists.

He graduated in 2014 and went straight to the doctoral program. He only finished it in 2020 because he was also asked to teach there. He finished his studies at the end of last year. His thesis was on jazz composition.

Readjust classical music

In discussions with professors and other speakers, Peter suggested a readjustment of the curriculum because he felt it was outdated. “If we only teach classical music, without combining it with modern development, we will not be able to compete with more modern universities. My idea was accepted – everyone agreed. Then we redesigned the program to include music technology, ”said the speaker.

“[We need to] master technology, especially during this pandemic, the Zoom era, where people collaborate through online media, ”said Peter. “If they don’t know [computer-based music] editing, we have to try to integrate music technology into the programs with classical music.

Classical musicians are often indifferent to non-classical music. According to Peter, classical music is experiencing a market reorientation. The classical music market will remain forever, but it will be limited, he believes. Peter said the genre should develop “to relate more to today’s world”.

indonesian music

Many musicians and singers still have difficulty reading musical notation, said Peter. So how can they play music when they can’t read the notes? Many Indonesians are talented musicians. But to reach a wider audience, they need to master the theory and not just rely on their self-taught skills.

“If you just want to play in a cafe, you don’t have to learn more [skills and theory]. But if you’re playing with 15 people, you can’t play alone, and there should be sheet music. “

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The Birds Conference (Camerata Chamber Orchestra, QPAC and Brisbane Festival) Sat, 11 Sep 2021 06:21:44 +0000

Presented by Camerata in collaboration with the Queensland Performing Arts Center (QPAC) and the Brisbane Festival, The bird conference centers on the 12th century epic poem of the same name by the Persian mystic and poet, Attar of Nishapur. It is an allegorical story of love, faith and humanity’s search for courage, offering both a sense of loss but also hope for the future. This multidimensional artistic work provided a holistic dimension to Camerata’s normal concert programming. In addition, it was a perfect choice for festival dishes, augmenting a powerful musical score with spoken text and visual illustrations, as well as design and lighting elements.

The bird conference. Photo courtesy of Camerata

The concert began with Mendelssohn’s glorious Sinfonia No 10 in B minor presented as an overture, with both the Adagio and Allegro components included in one powerful movement. Beginning slowly and gently, the majestic delivery of the Adagio section was well paced by the orchestra, producing a beautiful repetitive melody in the upper strings. As the mood and tempos changed to a much faster beat, the movement shifted to the major key. This produced powerful bows from the violins, which then calmed down in a calmer finish to end the section. The Allegro ignited with a strong and dominant playing of darker strings, basses and cellos, followed by violas taking up the theme with great force, adding depth and richness to the score. Followed by ever faster recapitulations of the main ascending theme, and interspersed with a delicate second theme, the violins first played the pianissimo, but moved on to a noisy coda played at a frantic pace by the orchestra. Well managed and exceptionally well played, the Mendelssohns provided an impressive start to the evening.

The bird conference tells the story of the birds of the world who come together in a difficult time to discuss their future and are then led by the wise hoopoe to find their king. Many die or fall by the wayside during the journey and finally only 30 remain, who discover, looking in a lake at their own reflection, that they are in fact the king themselves.

The work consists of spoken texts and music, accompanied by projected illustrations. There were five spoken parts of a text written by The New York Times author and illustrator, Peter Sis, based on the poem by Attar Nishapur. Actor Liz Buchanan gave this allegorical tale a wonderful read, managing to find a voice for each of the birds and characters such as Kaf Mountain, while vividly portraying the Seven Valleys over which the birds pass. She contributed enormously to the success of the work with her beautiful vocal performance.

Sis was also the creator of the exquisite and impressive illustrations. These included beautiful birds, as well as delicate Middle Eastern watercolors depicting many landscapes. They have demonstrated too poignantly the path taken by the story towards truth and self-discovery. To make it a multimedia presentation, elements such as a projection of birds on the back wall and a wind chime of floating birds, imaginatively lit by Richard ‘Zak’ Harrison, with a branch arrangement created by the floral artist, Caroline de Lore.

Camerata The Birds Conference

Liz Buchanan plays The bird conference with Camerata. Photo provided

The famous American composer, Lembit Beecher, originally designed The bird conference sheet music for string orchestra A Far Cry, writing individual lines for 18 string soloists. This was imitated in this reading. Two movements that intertwine around the spoken text demonstrated the power of Beecher’s music, leaving an indelible impression on the listener. At first, individual musical lines appeared haphazardly across the orchestra’s separate string sections, reminding us of birds settling on branches at dusk. Sawing the bows on the ropes looked like chattering or squarks, and even wing beating. The first movement calmed down as the birds perched. The two-part second movement, after the birds had exhaustively flown over seven different valleys and run out in numbers, was both more melodic and cohesive, with shimmering violins and excellent reception solos from each section. orchestral. It ended on a clearly defined hoarse note, with players rubbing sandpaper to convey the end of the journey to the birds. It was a magical finale.

Surrounding this book were two sections of Vaughan Williams’ ever popular The ascending lark, performed on solo violin by artistic director Brendan Joyce. Even though Vaughan Williams’ music is so different in style and texture from Beecher’s, the sections flowed seamlessly without any obvious stylistic issues.

Vaughan Williams’ wonderfully evocative work, with all the hallmarks of the composer’s fiery and thoughtful style, clearly expresses the spirit of a lark taking flight, singing in the hedges and fields of his native England. The first section, the Andante Sostenuto, I saw Joyce play the smallest whisper of the fluttering lark sound with the utterly lovely violin pianissimo. With poignant orchestral support from the strings and featuring five excellent wind instrumentalists, Joyce’s violin soared high above the orchestra, her lark seemingly oblivious to the tranquil country sounds of nature below. He offered exceptionally fine cadences, his technically powerful and beautifully played interpretation. Part 2, the Allegretto tranquillo, started gently with a beautiful clarinet solo and lyrical and colorful music from the woodwinds and reception of the violins. Joyce outdid himself once again, the mere whisper of the lark’s voice on the violin delivering ethereal and haunting final notes to bring the concert to an astonishing conclusion.

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Apple acquires classical music streaming service Primephonic Wed, 08 Sep 2021 00:58:49 +0000

Apple has acquired Primephonic, the popular classical music streaming service that delivers an exceptional listening experience with search and navigation features optimized for premium classic sound, handpicked expert recommendations and many contextual details about directory and recordings.

With the addition of Primephonic, Apple Music subscribers will enjoy a dramatically improved classical music experience, starting with Primephonic playlists and exclusive audio content. Over the next few months, Apple Music Classical fans will enjoy a dedicated experience with the best features of Primephonic, including better browsing and search capabilities by composer and repertoire, detailed displays of classical music metadata. , as well as new features and benefits.

Primephonic is no longer available to new subscribers and will be taken offline from September 7th. Apple Music plans to launch a dedicated classical music app next year that combines the classic Primephonic user interface that fans have grown to love with more added features. In the meantime, current Primephonic subscribers will receive six months of Apple Music for free, giving access to hundreds of thousands of classic albums, all in lossless, high-resolution audio, as well as hundreds of classic albums in Spatial. Audio from Apple Music, with new albums added regularly.

Thomas Steffens, co-founder and CEO of Primephonic
Together we are bringing new classic features to Apple Music, and in the near future we will deliver a dedicated classic experience that will truly be the best in the world. Bringing the best of Primephonic to Apple Music subscribers is a tremendous development for the classical music industry.

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The week in classical: Mahler Chamber Orchestra / Benjamin; Tosca – reviews | Classical music Sat, 04 Sep 2021 11:30:00 +0000

THEeaten in the day, with the final night in sight, the Proms have managed to squeeze an international set, instead of its usual large handful, into the season. The illustrious Mahler Chamber Orchestra is a flexible group of players from 20 countries, which might have made it easier to get here – or not. Either way, the cheers on the holiday Monday made it clear that their efforts were appreciated. It was a brilliant ball, beautifully built and one of the best of 2021, with musical friendships at its heart. George Benjamin was the conductor of a program of his own music as well as that of his lifelong friend, the late Oliver Knussen. Another close colleague, Pierre Laurent Aimard, was the ideal soloist in Ravel’s Piano Concerto in G major, mastering all its aspects, from jazzy to poetic, with a slow movement of unparalleled melancholy.

Pierre-Laurent Aimard performs Ravel’s Piano Concerto in G major with the Mahler Chamber Orchestra at the Proms. Photography: Chris Christodoulou

Benjamin (born 1960) worked with the MCO for many years. They gave the first performance of his successful opera, Written on the skin (2012). He praised their golden sound, the skill and virtuosity of each player. They deserved the new one Concerto for orchestra he dedicated to them, written in memory of Knussen. The 18-minute single-movement piece premiered on Monday, after three delicate arrangements by Benjamin’s Purcell consort (also premiering) and Knussen’s joyful, over-short “orchestral medley” The Way to Castle Yonder.

As with everything Benjamin writes, the concerto shines, all the sound ingredients are individualized, the clarity and intricate details make each musician a soloist. In the music of this composer, it is as if each measure, each idea, is the essence of the whole: an atom, rather the smallest of a set of Russian dolls. Dancing through the dynamic and conversational exchange of the concerto, dominating all, is the tuba. It is impossible not to hear this huge and deep brass instrument like the giant Knussen himself. After a gnarled orchestral climax, the tuba plays a long, triple fortissimo bass note, then falls silent, letting the rest of the ensemble, stripped and ethereal, slip away into the ether, the rattlesnakes resounding softly.

Another ball worth mentioning: the BBC Symphony Orchestra, conducted by Sakari Oramo, performed Malcolm Arnold’s Symphony No.5 (1921-2006) in his centenary year – the first of his nine symphonies at the Proms since 1994, this which tells you a lot about his status as neglected. Fashions change. Always hailed as a composer of films (The Bridge over the River Kwai, Whistle the wind), his concert music, melodic and passionate, was not in tune with the ethos of the mid-twentieth century. Expect to hear more from him. Performed with conviction, it was a moving and salutary reminder of what we lacked. If you don’t know, try it on BBC Sounds.

In the same year that Arnold completed his Fifth Symphony, the Crystal Palace Bowl opened, a canopy stage by a lake in the thin shadow of the TV mast, itself a new landmark in a drab town after -war. The London Symphony Orchestra was the first to perform there. Pink Floyd, Eric Clapton and Bob Marley followed. The English National Opera has joined the pantheon late, thanks to this year’s inauguration Festival facing south, which revived the place, unused for several years. At a thunderous volume capable of blowing up much of South London, transmitted through speaker banks, ENO performed Puccini’s song Tosca, directed by Richard Farnes.

Natalya Romaniw in the Tosca of ENO.
Natalya Romaniw in ENO’s Tosca at the Crystal Palace Bowl. Photography: Lloyd Winters

More in concert than in staging, ENO offered its audience three extraordinary singers: Natalya Romaniw, glorious and coquettish in the title role; David Junghoon Kim excitingly scaling his high notes as Cavaradossi; and Roland Wood as Scarpia, a sweet and rich thug. Orchestra and choir excelled. There were a few chairs in the front, but for a full atmosphere you had to be stretched out on a blanket, preferably eating pizza and fries. The couple next to me, new to the opera and having attended a pop festival the previous weekend, have now decided to book tickets for this fall at the Colosseum. A victory therefore for the English National Opera at a time when, like everyone in the performing arts, they are in dire need of it.

Number of stars (out of five)
Mahler / Benjamin chamber orchestra ??

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Ulster Orchestra announces new season with special concert Sat, 04 Sep 2021 06:00:00 +0000

The Ulster Orchestra has announced the start of its new 2021-2022 season with a special opening concert in Ulster Hall.

he concert on Friday, September 24 will feature its new conductor Daniele Rustioni, and will include a popular program of music by Dvorak and Brahms as well as that of the lesser-known 19th-century French composer Louise Farrenc.

In an online statement to subscribers and supporters, Orchestra management said: “We missed you. It’s been a long time coming, but we’re absolutely delighted to tell you that we can once again bring you some wonderful concerts. It has been too long since the extended family of the Ulster Orchestra last came together to share great music. Our special concert on September 24 will be a homecoming at Ulster Hall like no other.

The opening concert will be socially distanced and only 300 tickets are available.

Management also announced: “We have decided to split the remaining season to be able to meet the ever-changing restrictions, so five more concerts will follow between October and December. These will go on sale from 5 p.m. on Friday, September 10, and we’ll give you more details next week.

“Finally, we are planning our usual Christmas festivities, but with no further updates on the restrictions, we will delay their going on sale at a later date, but please keep an eye out for future newsletters for more details as we go. as we have them. “

The orchestra spent time in Waterfront Hall during the pandemic and recorded a series of concerts for the national BBC 3 Radio network, and featured, among others, its conductor Rustioni, as well as its conductor principal honorary Jac van Steen and Ulster-born concert pianist Barry Douglas.

Reservation opens online on Saturday September 4th at 10am and a special ticket phone number has been set up, and is open from 12pm to 2pm Monday to Friday on 02890334456. Reservation is also available online at ulsterorchestra.

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Apple has something big planned for classical music fans Wed, 01 Sep 2021 10:51:00 +0000

Many classical music lovers are musicians themselves and have a precise ear. Because of this, it can be a little annoying that you can’t quite put your finger on it, but you know your favorite sonata sounds better live.

While streaming is a great way to make classical music accessible, it is certainly a challenge to find quality options that don’t tarnish the classical music experience. Unfortunately, there are only a few places to stream high quality classical music on the internet.

Fortunately, Apple is rising to the challenge of bringing high-quality classical music to the mainstream.

Apple acquires Primephonic

In 2019, Midia Research published a study touting classical music as the next big genre of streaming. In North America, research indicates that streaming accounted for $ 89 million out of $ 146 million, or 60% of revenue.

With that in mind, it’s no wonder that Apple acquired Primephonic, a listening app known for its primary focus on classical music. Launched in 2014 with a strong existing fan base, its acquisition sent shockwaves throughout the classical music listening community.

Primephonic is renowned for its exclusive audio content, refined navigation features, search capabilities, and detailed metadata.

Related: Primephonic Review: The Spotify For Classical Music

While at first glance it may appear that the acquisition was made with the intention of bringing only the best features of Primephonic into Apple Music, you are surprised. Apple is actually taking its commitment to classical music seriously by releasing a standalone app as well.

Apple plans to launch standalone classical music app

In 2022, Apple Music will launch a standalone classical music app that will combine Primephonic’s penchant for quality curation with its high-quality streaming options.

One of the main features of the acquisition that we hope Apple Music will adapt is the listening experience curated by Primephonic. With AppStories +, Primephonic combines music, podcasts, and content written like articles.

Apart from this, classical music artists can expect a better salary with the acquisition. Primephone would spend 60% of its net income in a payment pot for its various artists and rights holders.

Related: How Much Money Does Spotify Pay Artists?

While Primephonic users won’t be able to use the current app after September 7, they will get both a pro-rated refund and a six-month code from Apple Music for free.

Make classical music accessible

In many ways, Primephonic fills several gaps in Apple Music’s existing listening experiences. With its acquisition, we can expect not only improvements in the catalog, but also in the quality of its overall curation.

In fact, with Apple’s blessing, Primephonic will undoubtedly achieve its original mission of sharing classical music with the world. If done right, it’s a win-win situation for everyone, especially classical music lovers.

Screenshots of Spatial and Lossless tracks on Apple Music with the Apple Music logo.
How to Listen to Lossless Audio on Apple Music

Set up lossless compression on iPhone, iPad, Mac, Apple TV, and Android to enjoy enhanced audio quality when listening to songs on Apple Music.

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Cowaramup Spring Dance Concert Band | Augusta-Margaret River Courier Wed, 01 Sep 2021 01:00:00 +0000

This winter has been tough for many in the southwest, with ever-changing COVID-19 restrictions, devastating tourism impacts on the region, staff shortages, construction delays, pressures on the medical system and stress. emotional families separated by distance with no end in sight.

As a microcosm of the local community, the members of the Margaret River Concert Band (MRCB) are no exception.

But spring is coming and the MRCB’s Cowaramup Spring Dance this Saturday, September 4th.

Braving many stormy and windy Monday nights, the band members worked really hard on their repertoire to provide a fun and thrilling evening of jazz, swing and rock and roll acts for the whole family.

Supported by the voice of Andrea Frances Manners and the Riversong Choir, the evening is an opportunity to put aside the winter blues and hit the dance floor.

“We don’t know what COVID restrictions are ahead of us, so it’s fabulous that we can still go out and have an evening of heartfelt live music that anyone can come to,” group member Maureen Gittos said.

Held at Cowaramup Hall, the evening will allow patrons to pre-order cheese platters and purchase snacks, beer and wine from the bar, with hot radiators and upbeat dance music to keep the chills going. remote winter.

Band president Tony Barugh said financial support from the Margaret River Lions Club has enabled the band to procure a trailer to store and transport equipment to concerts, while Augusta Margaret River County has been supporting the band. Spring Dance.

“This is the second year that the group has held their Spring Dance at Cowaramup,” he said.

“In order for us to flourish and bring these events to the community, this type of support is invaluable. We hope that in return the community will support us by coming to the Spring Ball. They will not be disappointed.

For more information and tickets visit or purchase tickets at Golden Jersey, Cowaramup.

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